So, expect diversity and eclecticism across those “soulful” genres making the Last Bastion Record label unique in its identity. Criteria for release will be to issue previously unreleased material on 45 with the emphasis on “soulful” music as opposed to “soul”. Each will come with an informative picture sleeve. ![]() The label plans to release three to four 45s per year. Last Bastion tell us that each release will be strictly limited to 300 copies – no repress! Meanwhile, San Martn's blockade of Lima causes hunger in all social classes. ![]() Pride’s 2004 ‘I’m Com’un Home In The Morn’un’ on Last Bastion will be followed by releases on Steve Marriott and Con Funk Shun/Jay Cee. Antonia's mother returns, threatening to reveal family secrets. The original was always quirky and the Severn Recoding retains the quirkiness while, naturally, Lou’s voice is older and world weary no bad thing for a soul record! Budget3. of episodes3 x 2 hours Production ProducersBrian Rosen Denis Whitburn David Williamson CinematographyLouis Irving EditorSara Bennett Running time360 min. The full length recording’s on the 7” B side while a more DJ friendly edit sits on the A side. The Last Bastion GenreWar Written byDenis Whitburn David Williamson Directed b圜hris Thomson George Miller StarringMichael Blakemore John Wood Timothy West Theme music composerColin Stead Country of originAustralia Original languageEnglish No. Pride and his band re-recorded it for Severn Records and it’s that version that is the first Last Bastion release. Originals we’ve learned now fetch something like £7,000. You’ll remember the original came out in 1970 on Suemi Records and quickly became a scene favourite. Last Bastion hits the ground running with a “new” version of LOU PRIDE’S Northern favourite ‘I’m Com’un Home In The Morn’un’. He tells us the office is a converted donkey stable! The label’s name, by the way, is a reference to a music venue popular back in the day – Andy, his wife, Densie and Dizzy Holmes of Detour Records are revisiting it via the name! The indie label is the brainchild of soul collector Andy Bellwood and his operation is based in the wilds of North Yorkshire’s National Park. I’m still getting it because I love Vectorman.Newest boutique soul reissue label is LAST BASTION. It’s like giving a kid a happy meal without a toy or making a porno with no nudity.īut fuck it. I understand that when game collections are released, some games don’t make the cut because of copyrights and all that legal shit, but this is a property that is owned by the company releasing the damn collection. So instead of finally giving us this awesome version of Sonic, they straight up didn’t include either of the parent games that made this wonderful Sega baby. I think the last time it appeared was in a version for PlayStation 2 (I’m sure if I am wrong, someone will notify in a very polite manner, because this is the internet). When S3 was plugged into it, it became what it was originally intended to be: the full game, from the opening stage of S3 to the final boss of S&K.įor some reason, Sega rarely includes this version in their classics collections. The latter came in the form of a game cartridge that you could stack other games on top of to enjoy added features. ![]() However, it was eventually split into two titles, S3 and S&K. The original S3 was originally supposed to be a much longer game with the ability to play as Knuckles the Echidna. What makes this even worse is Sega’s history of refusing to re-release what is hands-down the best version of any 2D Sonic: Sonic 3 & Knuckles. Sure, you have Streets of Rage, Altered Beast, and a bunch of other beloved titles… but… Sonic 3, man. That is half of the classic Genesis Sonic games that are missing in action. Sega and Sonic the Hedgehog go hand-in-hand, so it’s more than a little bit confusing that neither Sonic 3 nor Sonic & Knuckles are included in the collection. This kind of sums up how I feel about the new Sega Genesis Classics collection. What kind of psychopath doesn’t put bacon on a BLT? Its initial is in the damn name! As I chewed on my first bite, the horrifying realization set in. Why would I? It’s a pretty simple sandwich, right? Wrong (apparently). I didn’t think to check the contents of the sandwich until I was back at my desk. I once ordered a BLT at my workplace’s cafeteria.
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